Martyn Pearson's Blog

August 31, 2010

Exhibitions Worth a Visit

This weekend I spent a few days in Sheffield. My home town, well the city I was born and brought up in. Every time I go back there I am astounded  by the changes. So I would highly recommend it for a short break, if you don’t mind the hills.

On Saturday I spent pretty much a whole day in the sprawling city centre. The weather was lovely and it was a very nostalgic trip. Quite close to the railway station is the ‘Site Gallery‘ on Brown Street, which is an international centre for contemporary art. Sadly, even though they often hold photography based exhibitions they were between shows. Also I was disappointed to learn that I  just missed a show of wall drawings by Sol LeWitt, which had been held throughout May. If you get the opportunity to view his work please do so.

From there I wondered up Howard street to the large and impressive ‘Millennium Gallery‘, where I discovered an extensive (and free) show called ‘Watercour in Britain’. This on on until 5th September. Purely as a side issue. When I was a student, a pal of mine was a chap called Geoff Kersey. He is now a watercolourist based in the Peak District.

The breadth of the watercolour exhibition was great and some of the work was exceedingly interesting. Amongst many others, there were watercolours by William Blake (1757-1827), paintings of Sheffield by Herbert Slater (1892-1975) and work by JMW Turner (1775-1851), most notably, for me, was the atmospheric ‘Geneva’ – 1841/2 and ‘Castelli di Cannero on Logo Maggiore from the North’ – 1843. What a cracking show, and from somebody who tended to dismiss the craft of watercolour painting as twee and chocolate box this was an eye opener. Sadly the show ends with examples of work from some local (I think) daubers. Very twee and chocolat box and not needed at all.

As a student in the 70′s I often went to the ‘Graves Gallery‘, which is quite close the ‘The Millennium’. Back then the shows tended to be traditional, although I found some of the permanent collection very good for illustrating drawing and brush technique and how light falls upon objects or people.

By pure chance, in Graves Gallery there was a show of landscape photography by the Fay Godwin (1931 – 2005). Alongside this show and as a comparison, the photography produced by Paul Nash. Nash (1889 – 1946) was primarily known as an English landscape painter, surrealist and official war artist. His photography is less known but important never the less as one can see it’s influence upon his painting.

All in all, I thoroughly enjoyed my trawl around some of the Sheffield galleries. It just goes to show that there is a lot to see out there if you are interested in photography and art in general.

March 19, 2010

Photography Exhibition in Lytham

Filed under: News,Photography — Tags: , , , , — Martyn Pearson @ 4:12 am

My exhibition of photographs is still on until the 31st March (2010 if you caught this next year). So you still have time to nip into Sides Gallery, South Westby St, Lytham and see some great images. I’ve never been a shrinking violet when extolling my talents. Some photographs have been sold. I’m pleased about this, as you can imagine. The prints are in limited editions, so if you had your eye on one which has sold, just speak to David at Sides and I shall create another just for you.

The private view, on the 3rd March was very busy, the most attended view the gallery has ever had apparently. Here I’ve posted a few pictures of guests enjoying themselves. Some, a little too much.My mates Debbie and Mark Fox and that lovely chap Michael Turner (great portrait photographer).

February 28, 2010

Nikon Nikkor 24mm f1.4 Lens

 

The new Nikkor AFS 24mm f1.4 G ED lens

 

I was pleased to hear Nikon announcing the release of their 24mm f1.4 wide angle lens. Does this mean they will now produce a range of fast lenses? Nikon’s main competitor produce some really wide aperture lenses, such as the auto-focus 50mm f1.2 and the 85mm f1.2. Although in my opinion these two lenses are poor performers at maximum aperture.

For many years now I have regularly used the Nikon 85mm f1.4 AIS (manual focus) as I love the creamy out of focus quality of images produced by this lens. It’s rare that I use this lens at a smaller aperture than f1.4 and have always been pleased with the superb control of contrast, vignetting and corner sharpness.

Much of my imagery is created using available light, and fast lenses are vital at allowing more shooting opportunities without compromise. I can use lower iso settings and achieve the shallow depth of field that I almost always aim for, especially in portraiture. Many Nikon lenses have a maximum aperture of F2.8 and these can out perform most other SLR competitor lenses. I often hear that f2.8 is a large aperture, it is not. A fast aperture is at least f1.4. This and larger is, for a professional very important.

Optically, the best lenses out there are Zeiss. Many of these are made with little compromise. Luckily Zeiss manufacture a range of manual focus lenses that will fit Nikon cameras. Much of my personal work is produced using a Carl Zeiss lens and this is on a Contax camera. Now there was a company that could make great equipment. Never bettered for optics and arguably rangefinder cameras.

What Nikon professional photographers now need is auto-focus f1.2, 50mm and 85mm lenses. Nikon make the most useful DSLR cameras out there. Nikon make the best strobe system and some of the most useful lenses. Please, if you are listening, add to this some truly fast optics.

February 18, 2010

Photography Exhibition Reminder

The National Portrait Gallery are presently holding an exhibition of portraiture by Irving Penn. If you are in London between the 18th Feb and the 6th June I highly recommend you go and see it. If I get the opportunity I certainly shall. Penn, who died last year was a major figure in photography producing a huge body of diverse work from still-life to portraiture.

This exhibition draws together 120 prints from to 1940′s onwards, and is in the words of the NPG “a glorious celebration of his work in this genre”. See the NPG’s website for more details – www.npg.org.uk.

On a much, much smaller scale my own exhibition commences on the 3rd March with a private view at 7pm. Invite only I’m afraid. But if you wish to email me, I shall send you one. There are only a few left I’m afraid, so it’s first come first served. However here is a taster of what to expect.

 

The dunes at St Annes

The dunes at St Annes

 

Carpenter's window, Venice

Carpenter's window, Venice

January 9, 2010

Exhibition dates

Filed under: News — Tags: , , , , — Martyn Pearson @ 2:31 pm

As promised, I have finally got the dates for my one man exhibition. The show will run from the 4th March, with the private view on the evening of 3rd March. If you are a past client of mine and I have up to date contact details, you should be receiving your invitation to the private view in due course. If your details have change then email me so I can update them. Or if you want an invite anyway, get in touch, you never know.

The show is on at Sides Art and Frames Gallery, Lytham for a month. Also there is a planned open day on one of the Saturdays. I will be in attendance all day to answer questions about my work.

There is still much image selection and printing to be done over the next few weeks so I feel as though I have hit the floor running for 2010. Now there’s a thing. Do we say ‘two ten’ or ‘two thousand and ten’? I know where I stand on the subject. For me it’s the latter. I shall leave the ‘toot hens’ to the ‘strickly’ viewers. Since when did ‘Strictly’ become ‘strickly’?

December 6, 2009

Les Darlow, Artist at Work

Filed under: News — Tags: , , , , , , — Martyn Pearson @ 6:12 am

Yesterday I had the opportunity of photographing Les Darlow, artist and graphic designer in Lytham. What a great chap. He creates lovely pastel landscapes and seascapes, very Turneresque. Pop along to ‘Sides Art and Frames’, also in Lytham to view some of his work. I’ve included here some of my photographs of him working. I was quite taken by the artist’s tools and the rich colours of the pastels themselves

Les working on one of his seascapes

Les working on one of his seascapes

 

An Artist's hands are covered in the pastel colours as he works

An Artist's hands are covered in the pastel colours as he works

 

When not in use, the pastels are kept in a case containing grains of rice. The rice absorbs the pastel dust.

When not in use, the pastels are kept in a case containing grains of rice. The rice absorbs the pastel dust.

 

A detail of the artist's easel.

A detail of the artist's easel.

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