Martyn Pearson's Blog

March 25, 2010

The Photographer’s Place is Reborn

I achieved my Masters Degree in photography at De-Montfort University, Leicester about nine years ago. The course leader was, and still is the highly respected Professor Paul Hill MBE. Paul Hill has been a major figure in world photography for a good few decades and has been an influence on many fine photographers (including myself if I may say so) over that period.

From the mid-70′s, and running for twenty years, Paul Hill and his wife Angela established at their home in Derbyshire the legendary ‘Photographers’ Place’. Here dedicated photographers would become immersed in their subject, eating, drinking and breathing photography. Important figures such as Andre Kertesz and Ralph Gibson were invited to give talks and run workshops.

The original ‘Photographers’ Place lasted for just twenty years, but now it has been reborn, and with great success it seems, as the first weekend workshop in April filled up with delegates very quickly. The next has been orgainsed for the 4th to 6th of June at Ilam Hall on the Derbyshire – Staffordshire border. This time the photographer and teacher, John Blakemore will discuss ideas and aesthetics.

A third workshop has been planned for September, with the photographer Brian Griffin talking about environmental portraiture. Brian Griffin has recently been commissioned by the National Portrait Gallery and British Telecom to produce a series of portraits for the 2012 Olympics. It makes a change to hear about real workshops by real photographers.

The teaching team: Martin Shakeshaft, Nick Lockett and Paul Hill 

The photographer’s place teachers – Martin Shakeshaft, Nick Lockett and Paul Hill

As an aside, whilst on the MA course, I was teaching photography full time in Blackburn. After teaching a full Tuesday I also taught a Tuesday night class. I usually returned home from this evening class around 10.30pm. On Wednesday morning I was up at 4.00am to catch the 5.00am train from Lytham to Leicester. After three connections, I arrived in Leicester at about 11.00am, with an hour or so to kill before my afternoon studies started.

At the end of the day I would catch the 5.30pm return train home. British Rail passengers were going through a bit of a tough time during this period, as most trains were running slowly due to a crisis over the Hatfield train crash, it had something to do with metal fatigue on the tracks I think. Anyway my line, the West Coast line was one of the worst, with the result being a return home about 1.00am (thursday). My teaching commitment re-commenced then at 9.00am, Thursday morning. I used these many train hours to study and when finally arriving at the university I went to their library.

I went through this for an entire year. In year two I bought myself a car. I tell you this as I know some of my students will read it. There is a message here for a few of the younger ones who habitually arrive late to my classes. If an old geezer like me can get up early to do what is needed then so can anybody.

To conclude, I thoroughly enjoyed my time achieving my Masters Degree, and coming to the academic environment from a purely commercial (in a photographic sense) one. I found it re-invigorated and enriched my own practice. Now, as a full-time professional and a part time teacher, I have more confidence in my own work and ability. I know good (and mediocre) imagery when I see it and hopefully I can pass this on to my own students. Now which train is it to Derbyshire.

March 19, 2010

Photography Exhibition in Lytham

Filed under: News,Photography — Tags: , , , , — Martyn Pearson @ 4:12 am

My exhibition of photographs is still on until the 31st March (2010 if you caught this next year). So you still have time to nip into Sides Gallery, South Westby St, Lytham and see some great images. I’ve never been a shrinking violet when extolling my talents. Some photographs have been sold. I’m pleased about this, as you can imagine. The prints are in limited editions, so if you had your eye on one which has sold, just speak to David at Sides and I shall create another just for you.

The private view, on the 3rd March was very busy, the most attended view the gallery has ever had apparently. Here I’ve posted a few pictures of guests enjoying themselves. Some, a little too much.My mates Debbie and Mark Fox and that lovely chap Michael Turner (great portrait photographer).

March 18, 2010

Creativity in Photography

Teaching photography as a subject is something that I have a passion for. Teaching photography as part of art history and discussing ideas and concepts is something that is vital to the future careers of my students. So, I find it shocking that many professional photographers (usually social photographers) have little or no knowledge, or interest for that matter in the history, or of the major figures in their chosen profession. Many will profess to know the work of Cartier-Bresson and some will have heard of Julia Margaret Cameron. But beyond that, there is very little awareness.

If you are not a photographer professional social photography is an industry based around weddings, family portraits and such.

Most, but not all of these ‘professionals’ tend to be drawn to photography  through equipment fetishism. Big camera this, big lens that. Some of these people then develop enough basic craft skills to earn money. The enjoyment of making images (and money) is then encouraged and furthered by the  national photographic institutions, the qualification process and manufacturers and allied services.

Our photographer, let’s call him or her, Sam, becomes a slavish follower of trends. Trends that are established by those with a bit more foresight and business acumen than Sam. In recent years these trends have included, in portraiture, white backgrounds and garish colours and, in weddings, reportagedocumentaryphoto-journalism (all one word) wedding photography thingee. Perhaps in black and white (because the client thinks it’s a bit trendy and modern) but now more in colour. Do we go formal or informal – a bit candid? I know, let’s try a bit of ‘strobist’ off camera flash. Sam follows but never instigates these trends and looks to others for ways of producing images.

Along the way though, there is a foundational and fundamental part of Sam’s development as a photographer missing. Sam is not learning about what came before, and aside from a very narrow contemporary corridor of interest (brides and babies) is missing out on hundreds of years of artistic practice and discourse, all of which could have a profound effect upon how today’s (social) photographic imagery looks and is considered. This awareness will not have a negative effect upon industry and profit.  This new found interest could enrich Sam’s photography. It will point the way of good practice and even introduce an element of gravitas.

Sam has invested a lot of time, energy and finance in establishing his business. He knows how to get things in focus, knows about exposure. He can utilise photoshop to twiddle, fiddle and faff with his images. He has joined the BIPP, the MPA and SWPP. Sam enters competitions and walks away with plaudits galore. He markets his successes aggressively. But although he knows all about unique selling points he misses the point of making his pictures unique to him and could be selling more. 

An important issue here is that Sam, with the help of the institutions and networking groups, becomes a business person. He becomes better at making the pictures and marketing, his client base and income grows. Sam becomes better qualified and as a result achieves respect amongst his peers. I feel that this is a great thing for Sam and the industry. I’m all for capitalism. It is a honourable endeavour. Money and industry keeps the world turning and drives human society.

Sam could be a plumber, a builder, a green grocer. Sam is not a creative person. Sam will say to the client that they are an artist, that their work is highly creative, look, here are the awards and certificates to prove it. But this is just marketing and transparent marketing at that. Deep down Sam knows he isn’t creative or in any way artistic, but Sam secretly would love to be so. When at an industry event with all the other Sams, he will say that when he feels a bout of creativity coming on, he will lie down until it goes away. And they will all laugh at the pretentiousness of those that are truly creative. As though creativity can damage profit. Deepening the contextual knowledge of photography is a duty of all intelligent practitioners. Sam can still market his business, he can still enter the competitions. But with a little re-education he could achieve even greater respect  from his peers and greater profit. 

 As it is at present many will say ‘let Sam be what he is’. Hi is a tradesman, there is no dishonour, no indignity. But unless he adds those foundations, don’t believe him when he says he is creative. He cannot make anything other than pretty pictures. Pretty pictures are great up to a point, they will elicit an emotional response from the client, there are tears of joy. This is wonderful for the client, they will go home with pictures that they love. They will recommend Sam to all of their friends. Sam’s bank balance will be improved. But are the photographs distinctive or even good. It is highly unlikely. 

To even begin to create a photograph that is more than aesthetic superficiality, Sam must learn, in depth, the reasoning behind artistic endeavour. The why’s and wherefore’s of the history of photography and of art itself.  You never know, Sam may become a superior photographer because of this education. Sam’s clients may not evaporate. Sam may find new markets and a greater love for his profession. And in the end, photography itself would benefit from all of those new and improved Sams out there.

For those Sams with the wit to want to create fresh work I have added a short reading list to initiate your education. Listen to the creative thinkers and escape the shackles of imitation.

Ways of Seeing                                Author: John Berger                                                                                                        Publisher: Penguin                                                            ISBN: 0-14-013515-4

On Photography                             Author: Susan Sontag                                                                                                     Publisher: Penguin                                                              ISBN: 0-14-118716-6

On Being a Photographer            Author: David Hurn & Bill Jay                                                                        Publisher: Lenswork                                                           ISBN: 1-888803-06-1

The History of Photography        Author: Beaumont Newhall                                                                               Publisher: Bulfinch Press/Little, Brown and Co.         ISBN: 0-87070-381-1

March 5, 2010

Urban Landscapes in Manchester

A few weeks ago I had the delightful opportunity of nipping into Manchester city centre with a couple of good friends of mine, Shaun Mcallister, who is the course leader of the National Diploma in photography at Blackburn college, and what a superb chap he is too. Also along for the ride was my mate Carlton Watt. one of the finest photographers I’ve ever met, almost as talented as yours truly. As an obsessive, I couldn’t help but take photographs throughout the day. For the photographers amongst you I used a Contax rangefinder with a Carl Zeiss lens. Blinding.

Superb light down an alley, just off St Annes Square, Manchester

 

After a great lunch and a pint or two in Sam’s Chop House we went to Manchester Art Gallery – http://www.manchestergalleries.org/. This is always worth a visit. We had a look at “Facing East – Recent Works from China, India and Japan from the Frank Cohen Collection”. Also, like the naughty schoolboys that we are, we had a quiet giggle at Ron Mueck’s highly detailed surreal, out of scale sculptures. If you have children these two shows are a must and are on until mid april. Check-out the their website for details.

Chinese herbal medicines

 

A small scale pub crawl ensued.  A stroll through China Town brought us to my favourite pub of the night ‘The Circus Tavern’. Now I’m in no way a real ale fan. More of a lager boy me. All British beers that I have tried have tasted like fairy liquid, ugh. But this place is a real gem. This is what Camra say about it:

The Circus Tavern 
86 Portland Street, Manchester. Tel: 0161-236 5818. 
Reputedly, this is the smallest pub in Manchester, and has one of the smallest bars in Britain. Small, unsophisticated, little changed since its earliest days. Built around 1790, when Portland Street attracted performers, travelling entertainers and artists due to the nearby Circus at Chatham Street – hence the name of the pub. No food or music. An authentic “old” early 19th century pub, where atmosphere, good ales and conversation are the order of the day.

 

The Circus Tavern. Warm inside, cold and wet out.

 

From there we went for a curry, home by train…. Sore head by morning.

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